First published in Great Britain in 1982
(c) Peter Hammill 1982
All lyrics printed by kind permission. All rights reserved, including the right to reproduce this book or portions thereof in any form.
'The Black Hole' first appeared, translated into Dutch, in Ohr magazine, December 1980.
Published by Sofa Sound, P.O. Box 2, Westbury, Wiltshire.
Photograph Anton Corbijn
Typeset by Quadraset Ltd., Combe End, Radstock, Bath, Avon.
Printed by The Fairwood Press, Dilton Marsh, Westbury, Wiltshire.
CONTENTS
INTRODUCTION
LYRICS
'This Will Never Come
Again'
La Rossa
Again
Shingle Song
Time Heals
Alice (Letting Go)
People You Were Going To
Airport
Ferret and Featherbird
Birthday Special
The Polaroid
'The Angry Ace'
Cat's Eye/Yellow Fever (Running)
When She Comes
The Siren Song
Chemical World
Ship of Fools
The Habit of the Broken Heart
Golden Promises
Nobody's Business
Last Frame
Not for Keith
The Cut
Time for a Change (Chris Judge Smith)
A Motor-bike in Afrika
Sci-Finance
The Old School Tie
Handicap and Equality
Two or Three Spectres
Pushing Thirty
Nadir's Big Chance
Trappings
Energy Vampires
Masks
The Mousetrap (Caught In)
Careering (Don't Ask Me)
Meurglys III, The Songwriter's Guild
Losing Faith in Words
'Ashen Hours'
Fogwalking
Pompeii
Imperial Walls (Anon. VIIIth Century Saxon)
The Institute of Health, Burning (Chris Judge Smith)
Urban
Open Your Eyes (The Locarno Song)
Still in the Dark
The Future Now
Mediaevil
Porton Down
Mr. X (gets tense)
The Jargon King
Gog
Magog (In Bromine Chambers)
'The Mirror's Secrets'
In Slow Time
Autumn
Door
Mirror Images
The Undercover Man
Faint-heart and the Sermon
Palinurus (Castaway)
The Comet, the Course, the Tail
The Second Hand
Tapeworm
(No more) the Sub-mariner
The Sphinx in the Face
'Lone Wolf'
Crying Wolf
Lost and Found
My Favourite
If I Could
This Side of the Looking-glass
(On Tuesdays She Used To Do) Yoga
Been Alone So Long (Chris Judge Smith)
My Room
A Place to Survive
'The Spirit Survives'
The Spirit
Scorched Earth
Arrow
The Sleepwalkers
Wondering
Faculty X
The Wave
Flight
Pilgrims
Childlike Faith in Childhood's End
Still Life
I. Adam's Conviction
II. The Madonna
III. Balance: The Mine
IV. Waiting
V. The Spider's Web
VI. Brasilia
VII. The Black Hole
VIII.
The
Message
DISCOGRAPHY
ALPHABETICAL INDEX OF SONGS
This book has been 'finished' more times than I care to contemplate. Originally, it was intended to be a volume of short stories, which I had completed by early 1975; immediately after I had met my deadline the publishing company ceased to exist. Meanwhile Van der Graaf Generator had reformed and for the ensuing three years my commitment to and the demands made by the life of the group were such that I had no time even to consider what was to happen to the work, still less to involve myself actively in its presentation. Three years is a long time for stories to stay sealed in their folders: when, eventually, I came to examine them again, their shortcomings seemed to me to vastly outweight their positive aspects. Some I discarded immediately, and the majority I substantially rewrote; afterwards, they returned to lie dormant on my desk once more, as I continued to write and record songs, and to tour. Some time later, the same sifting, discarding and rewriting process took place again when I found I had the opportunity to devote myself to it. Thus, in highly stripped-down form, the end product of the original 'Mirrors, Dreams, and Miracles' is the group of a half-a-dozen short stories which will be found in the second half of this book.
The title survives from 1975; in the intervening period, while the stories have shrunk in number and size, songs have proliferated. Over the years it became obvious to me that this book should take the same form as its predecessor, 'Killers, Angels, Refugees'; thus its bulk consists of the lyrics of all my recorded songs from 1974 to 1980. Most of these words have already been printed on record sleeves or inserts, with the exception of the songs from 'Nadir's Big Chance'. These are, of course, included here.
Once again I have tried to
arrange the songs in groups which have cohesion in terms of subject matter
rather than chronology or source. This procedure is inevitably somewhat
arbitrary, and is intended, as
are the group headings,
only to provide some kind of flow. Songs are hard to 'collect': the
very nature of the form, although allowing for a multiplicity of interpretations,
insists that a successful song must be
finite, self-contained and
self-supporting. I have long held out for the idea that the 'popular
song' is capable of sustaining far more in terms of content, subject and
effort than it is generally supposed or required to, as I hope this collection
shows; so it comes as no real surprise to me that the fruits of seven years'
songwriting on diverse topics will not fit easily into any definite order.
I have to thank Chris Judge Smith for his permission to include the three songs of his which I have recorded in this period: 'Time for a Change', 'The Institute of Mental Health, Burning', and 'Been Alone So Long'. If I could I would also thank the anonymous Anglo-Saxon who penned (but did not title) 'Imperial Walls'; since he wrote in the VIIIth century, I cannot, but I am still very glad to have found his words.
The discography which concludes
the book covers the records on which the songs appeared, and is a direct
continuation from that in 'Killers, Angels, Refugees'. Many of these
records have now been
deleted in the U.K., but
I believe that all are still available--on different labels, and with different
matrix numbers, of course--in one country or another abroad. I'm
afraid I have no further information than this on that score.
Finally, I find myself astonished
to see all these songs and subjects grouped together. Some call me
a pessimist; for myself, I cannot see it as being pessimistic to believe
in, to see, to chronicle the mirrors,
dreams and miracles with
which I have been graced. It is true that many of them lie just below
the surface or just outside the frame of 'normal' life, but they are none
the less real for that. I still don't know
where they all come from...but
here they are.
Peter Hammill
Wiltshire, 4/11/1981
* This
is not the original cover (Esta não é a capa original)
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